What if, he wondered, the iconic edifice was built not to keep out hordes of Mongolians and other human invaders, but to defend against fantastical monsters?Īt the time, China’s annual box-office receipts were a mere $1.5 billion, a quarter of what they are today. His fanboy imagination wandered to the Great Wall. More than four years ago, just as China’s movie market was starting to boom, Thomas Tull, the executive producer behind blockbusters including “The Dark Knight,” “The Hangover,” and “Man of Steel,” was casting about for a concept that might particularly suit Chinese audiences - and travel globally.
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